Netflix Orders New Superhero Family Drama ‘Raising Dion’ To Be Executive Produced By Michael B. Jordan


We live in the age of superheroes! Netflix has been killing it with their Netflix Original Marvel superhero shows so why not add more? Netflix has announced that they have ordered 10 episodes of Raising Dion. The superhero family drama will be based on the independent comic book series of the same name by writer-director Dennis Liu and will be executive produced by Michael B. Jordan.

Mike B J

This show will be very different than other superhero-based shows as it involves a single mom, Nicole, as she attempts to raise her son, Dion, as he develops numerous powers and abilities. Nicole has to teach Dion’s how to use his powers safely all while keeping said powers hidden from the public. She enlists her late husband’s best friend, Pat, to help document his increasing powers and watch after Dion.

Cindy Holland, Netflix’s VP of original content, had the following to say about the new series.

“We haven’t seen this type of superhero story before — an origin myth full of imagination, wonder and adventure, all grounded in the experiences of a modern single mother. Michael B. Jordan is an exciting and dynamic talent, and I’m excited to see him, Macro, Carol and the team translate Dennis’ unique vision to television.”

Michael B. Jordan will not only be the executive producer of Raising Dion, but the actor will also play Nicole’s late husband Mark. Jordan is no stranger to superhero films as he portrayed Johnny Storm in the 2015 reboot of Fantastic Four and will portray Erik Killmonger in the upcoming Marvel/Disney film Black Panther. Carol Barbee has joined the series as showrunner and executive producer. She will also be penning the first episode of the show, which is set to be directed by Liu himself.


Regarding the Netflix deal, Liu stated:

“I started this project many years ago because I wanted to see more diverse representation on film and television and I’m excited to partner with Netflix, who I know shares that commitment. More than ever, we need more stories told from different points of view and my hope with Raising Dion is to create a cinematic experience for all families that will lift your spirits and make you laugh and cry.”

Lui also wrote and directed a short film based on Raising Dion back in 2015. It’ll be exciting to see how he handles the series now that he will be working with a bigger budget. It is currently unknown if any of the same actors who took part in the short film will return for the Netflix series.

Even though Netflix has ordered a 10-episode first season of Raising Dion, no release date has been announced.

Are you excited for a Netflix adaptation Raising Dion? Leave your comments below!


‘Detroit’ Review

Detroit Poster


There is certain subject matter that is hard to transfer into a film. Police brutality, police misconduct, and racism are a harsh reality that many people still deal with today. Detroit is a film that covers this subject matter during the events of the 1967 Detroit riot. More specifically, the Algiers Motel incident that took place during the night of July 25–26. Going into this film, I did not do any research about the film’s plot. I assumed that it was a purely fictional story set around the police brutality of Black people during the Detroit riots. The director, Kathryn Bigelow, does a great job at making you feel like you were in the situation with the characters. The film’s story was not one-sided in showing that all cops are bad. It showed that cops are people just like us. Yes, we saw a lot of bad cops in this film, but we also saw some who just wanted to help, some who did not want to be involved, and some who were just confused. We also got to see how the riots made some of the Black characters feel. Some Black people were just angry at the system that they lived in, some wanted to make sure that other Black people survived and did not do anything stupid, and some were just caught in the middle while trying to live their lives. I felt just as scared as the characters while sitting and watching the events unfold on the screen. I believe this was because Kathryn Bigelow knew exactly which camera angles to use to make the space feel tight, bringing on a feeling of claustrophobia for me as a viewer. This was very similar to the direction she used in her previous films, The Hurt Locker and Zero Dark Thirty. The story of Detroit started out a little slow but picked up as the film progressed. I had to remind myself that this is a crime drama and not an action film as much of the “action” was driven by the situation and the dialogue. Each of the actors involved did a great job portraying their characters. This film is packed with great actors. There even a few cameos that I was not expecting. The standout of the film for me was Will Poulter. He disappeared into his role of the racist cop, Philip Krauss. He has come a long way from We’re the Millers and should continue to take more roles like this, as it can only benefit his career. John Boyega did great portraying Melvin Dismukes as well. For most of the film, I felt his character was unnecessary and shoehorned into the plot for the sake of adding star power. However, as the film progressed, I found out exactly why he was necessary to the plot. This wasn’t the starring role for Boyega that the trailers led me to believe, but he was still good inclusion to the film. Additionally, Anthony Mackie, Algee Smith, and Jacob Latimore had great performances as Robert Greene, Larry Reed, and Fred Temple. Detroit is a film that can be hard to watch at times, but you have to power through. There were times where I felt sick to my stomach seeing what was being done to the characters while being interrogated by the cops. It wasn’t just the police brutality that made me feel this way. It was also the officer’s lack of compassion and irresponsibility of the justice system during that time period. Not knowing what would happen to characters by the end of the story had me on the edge of my seat with anticipation. I give Detroit a Decent 8.7/10. This film is a must watch as it reminds us that the issues of police brutality and racism we faced in the past are still present today. It is great to remind ourselves of how far we have come as a country and how much more we can do to continue to improve. Only together can we move forward as a nation!

How Disney Made Me Fall In Love With Superhero Movies

I know you’re probably thinking this is going to be an article about the , but it’s not. As a Black man growing up I didn’t have many superheroes that I related to. My first introduction to a Black superhero was Blade in when I was eight years old. He was the first superhero that I ever saw on the big screen yet he was different from your normal hero. He wasn’t well-known to the public, he didn’t wear a cape, and he murdered anyone who got in his way! I thought he was pretty awesome, but not many of my friends knew who he was. Blade remains my favorite hero to this day, but Blade wasn’t the reason I fell in love with superhero movies. The blame for that lies with a little known DCOM called Up, Up and Away.

A Family Of Superheroes

Warrior Woman (left), Silver Charge (middle), Bronze Eagle (right), Warrior Eagle (front)

The 2000 Disney Channel Original Movie is a comedy/adventure about a boy from a family of superheroes who, despite not having any superpowers of his own, is called on to save the world. What was great about this film to me was that all of the main heroes were Black. Not only were they Black, but they were your typical nuclear family. Somewhat like if the Huxtables were secretly superheroes. I could connect with the main character Scott Marshall/Warrior Eagle as I also had an older brother who was better at things than I and a younger sister who was annoying. He just wanted to impress his parents, which is something every kid wants to do, no matter how old they get. Seeing this film normalized the idea for me that Black people could be great superheroes and that superheroes aren’t always out saving the world. Sometimes they just want to spend time with their family.

The Director

Robert Townsend

Robert Townsend, who plays Jim Marshall/Bronze Eagle in the film, was also the director. He showed us that superheroes can have normal problems, normal families, and yet still be loved by the public even though they’re Black. Basically letting young kids know that being Black was not abnormal. Townsend is not shy to making superhero films. In the early 1990s he wrote, directed, and starred in another Black superhero film called The Meteor Man. He brought some of the same love and fun he had with that movie into directing Up, Up and Away. It almost feels as if they could take place within the same shared universe. In actuality it makes sense that they could because on the Earth of Up, Up and Away both Superman and Spider-Man exist within the same reality. A movie of this caliber could not be made today with different studios owning the rights to different characters. The last time we heard a #DC and #Marvel character mentioned in the same film was Sam Raimi’s first Spider-Man movie back in 2002. And I’m pretty sure in that film Superman was being described as a comic book character and not a real person.

Final Thoughts


Looking back, without seeing Up, Up and Away I would have never fallen in love with superheroes in general, let alone any movies made about them. After seeing this film is when I especially started reading comics and trying to write a few of my own. My love of putting my ideas on paper and writing stories was sparked at that moment. It has since evolved to my love of writing movie reviews and stories about the movie business. If you have not had the chance to see this film I recommend that you look it up online and try to find a copy. Its well worth a watch.